Sunday, October 20, 2024

 

Happy Birthday, Bela Lugosi!


He was born Béla Blaskó in Lugos, Hungary on October 20, 1882 (or possibly 1884). 

in 1900


His parents sent young Bela to the Budapest Academy of Fine Arts where he developed his dramatic talent.  In a few years he caught the eye of theater producers  and starred in many productions at the Royal National Theater in Budapest, among them Romeo and Juliet- appearing as Romeo. 


in the 1920's


on stage 1915 as Jesus Christ

Inevitably, film work followed and Bela appeared in his first film in 1910.  He was by that time known professionally as Bela Lugosi, his last name a tribute to the town of his birth.   


in a 1917 Hungarian film

Film actors at the time were often unbilled or were credited under assumed names.  Bela was credited in many of his early films as  "Arisztid Olt".  

At the start of WWI Bela enlisted in the Hungarian army.  He quickly advanced to the rank of officer and showed great courage under fire.  He served for two years on the Serbian front and later in Russia.  Bela was wounded three times and eventually was discharged at the rank of captain with honors for bravery and "action above and beyond the call of duty" winning the Hungarian equivalent of the Purple Heart.  

In 1917 Bela returned to the Budapest theater and also married his first wife, Ilona Szmik. 

In 1919 Bela supported the Communist Bela Kun who overthrew the current Hungarian government.  Unfortunately, the future of freedom and economic fortune promised by the new regime did not come to pass and the Kun government itself was overthrown.  Bela found himself on the wrong side of the political tracks and so he fled to Vienna and later to Germany.  His marriage ended in divorce.

Bela found some film work in Germany, including the role of the Native American Uncas in "The Last of the Mohicans".  F. W. Murnau cast him in a 1920 adaptation of Dr. Jekyll and Mr. Hyde entitled "Der Januskopf".  That film starred Conrad Veidt and saw Bela in a small part of the butler.  (As with Murnau's film "Nosferatu" which ran into legal problems due to the neglect of his company to secure the rights to the novel Dracula, Murnau also changed the plot of Jekyll enough to avoid royalty issues with the estate of author Robert Louis Stevenson.)


in Der Januskopf

When work dried up in Germany Bela earned passage to America by working as an assistant engineer on a freighter.  Landing in New Orleans, Bela identified himself as a political refugee and soon made his way to New York and the Hungarian community there.  He established himself as an actor and founded a small theater company of other Hungarian émigrés.  The company toured the U.S. playing for Hungarian communities (Bela still could not speak English).  During this time Bela married again, to Ilona Montagh de Nagybanyhegyes.  

In 1922 he was noticed by producers and was offered a part in The Red Poppy in New York.  The legend is that in the early days Bela learned his parts in English phonetically.  At any rate, he achieved good notices for his work and made his first American film in 1923.  After many other theater and film roles his was cast in the 1927 stage version of...Dracula.  

Dracula opened in New York in late 1927 receiving critical disdain but huge public success.  Bela continued with the role in New York and later on tour.  In 1928 he met and married his third wife, Beatrice Woodruff.  

on stage as....well....you know

In spite of the unique stamp he put on the role, Universal Studios did not consider Lugosi when they were casting their film version of the story.  Bela campaigned hard for the role, even going so far as contacting Bram Stoker's widow Florence in an attempt to lower her asking price for the rights.  The studio did not show its gratitude for Lugosi's work, and after considering almost every actor in Hollywood with the possible exceptions of  Laurel and Hardy and Rex the Wonder Horse, they finally offered the role of Dracula to Lugosi for the ridiculous sum of $500 per week.  David Manners who played the very small role of Jonathan Harker, received $2,000 per week.  

"Dracula" and Bela Lugosi were a smash and saved Universal's bacon in 1931.

with Helen Chandler as Mina






Bela received thousands of fan letters, mostly from women.  Can you blame them?


at home



Bela Lugosi became a star, but his star never shone as brightly again.  He was Dracula in the minds of the public (and casting directors) for the rest of his career.  


as Dr. Verdegast in "The Black Cat" ,  with Boris Karloff


To keep the marriage board up to date:  He was divorced from Beatrice in 1929.  Married Lilian Arch in 1933, divorced in 1953.  They had a son, Bela Jr., born in 1938.   Married to Hope Lininger in 1955 and remained so until his death in 1956.  
Among his many other film roles:



as Dr. Mirakle in "Murders in the Rue Morgue".  The lady he is tormenting is Arlene Francis.  "That's two down and eight to go.  Over to you Bennet Cerf."  Oh god, I'm so old.


as Murder Legendre in "White Zombie"

as Dr. Vollin in "The Raven".  with Boris Karloff

as Dr. Benet in "The Invisible Ray"

as The Sayer of the Law in "Island of Lost Souls"


as Tarnoverro with Warner Oland in "The Black Camel"

He was considered for the role of the Creature in Universal's 1931 production of "Frankenstein" but either turned down the role (because it was a badly written non-speaking part under heavy make-up) or was not cast by Universal (because the film test was not very good) - take your pick.  Either way, if Bela had taken the part he might just possibly have remained the top horror star at Universal and his future may have been very different.

Lugosi was a much more talented actor with a wider range than he is remembered for today.  A man of great personal charisma, charm and integrity.  

I love you, Bela.  Rest in peace.


in 1956





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Saturday, October 12, 2024

The Last Exorcism (2010)

 


Director:                                     Daniel Stamm

Writing Credits:                          Huck Botco and

                                                        Andrew Gurland

Cinematography:                        Zoltan Honti

Music:                                         Nathan Barr

Editing:                                        Shilpa Sahi

Production Design:                     Andrew W. Bofinger

 

Cast

Cotton Marcus                          Patrick Fabian

Nell Sweetzer                            Ashley Bell

Louis Sweetzer                          Louis Herthum

Iris Bahr                                     Iris Reisen

Daniel Moskowitz                       Adam Grimes

Caleb Sweetzer                        Caleb Landry Jones

Pastor Manley                           Tony Bentley

Becky Fly                                  Becky Davis

                                            


There is a spoiler for the end of the film.  

This is a review of “The Last Exorcism”, which I like.  It is not a review of “The Last Exorcism, Part 2” which I am embarrassed to admit I rented. At least I only spent $1.20 for the rental, however I would love to receive a refund.  If I ever meet any of the producers of “Part 2” I will insist they fork it over.  The title doesn’t even make sense – think about it. “Part 2” sucks on toast and will not receive any further acknowledgement from me.

 

When I saw the words “The Last Exorcism” on the poster advertising this movie before its release I thought, “Really?  Do you promise?”  In spite of my love of horror in general and exorcism movies in particular I skipped this one.  Most horror movies today are so silly and poorly made that they are at the very least disappointing, and at worst I would cheerfully make a pact with Satan if it would get me out of the theater a little faster.   I finally succumbed to devilish temptation and caught up with “The Last Exorcism” recently on DVD and now I am sorry that I ignored it in the theater.  It’s pretty terrific – 90% of it, at least. For me the ending is a bit of a head scratching let down.

 

In this pseudo-documentary we meet Cotton Marcus, a bible thumping evangelical minister, his wife and young son. He has been a minister since he was a boy (preachers and exorcists run in the family) and is good at what he does.  Cotton has invited a film crew to follow him and document his work.  The twist is that Cotton lost his faith after his son’s medical condition was cured through the power of science, not through the power of God. Despite his lack of faith he has continued to perform exorcisms since it is the only way he knows to make a living. However he believes that exorcisms do much more harm than good and wants to expose the practice for the racket it is. His act  incorporates magic tricks to convince his customers of what they already believe, e.g. adding something to the water in which a victim had her feet in order to make it “boil”, using recorded demon voices, fishing line to manipulate the furniture and adding something to his crucifix to make it smoke. 


He gets most of his business through the mail; desperate people begging him to relieve them of the demons besieging their families. He responds to a plea from a farmer who believes his daughter Nell is possessed and killing his animals. Cotton sees this as a perfect opportunity to showcase his talent.

 

At the farm Cotton does his stuff and it appears to succeed until later when Nell turns up at his motel, deeply disturbed and suffering. A repeat exorcism is performed, though the possession is revealed to be a delusion on Nell’s part.  After a medical checkup finds she is pregnant Nell confesses that she was seduced by a local boy. The family’s former minister is called in to comfort and guide this broken family. Cotton et al leave secure that all will be well. Unfortunately, more information proves that the local boy could not have impregnated Nell, so Cotton is determined to find the truth.

  


  

Now for the SPOILER ALERT!!  and my re-write of the last scene of the movie.  The ending as is - Cotton and his crew return yet again to the farm.   They have come back to do… what, I don’t know.  Finding the house empty and satanic symbols drawn on the walls they head out to the field where a huge bonfire is burning.  The minister is there dressed in a hooded robe leading a satanic ritual surrounded by cultists.  Nell is lying on a table screaming while the minister’s assistant acts as midwife to a demon birth.  The red, spiked, screeching thing she appears to pull out of Nell is thrown into the bonfire which makes the flames burst into a huge conflagration.  Cotton and the crew are horrified by what they see and the crew sensibly (if somewhat belatedly) makes a run for it.  Cotton seems to find his faith and approaches the fire with his cross held high, calling out the demon to let the girl go. He and his crew are killed by the cultists….roll credits.  The finale leads us to the conclusion that everything we have witnessed has indeed been supernatural; the demon impregnated Nell and has been reborn or something, the cult has won, etc.

 



As a movie-goer I enjoy a supernatural story.  I don’t want the whole shebang to turn out to be a hoax and have a rational explanation.  Supernatural is fun, rational explanations are boring and a cop out (see "Mark of the Vampire”).  Having said that, I have a problem with the ending of this film.  It feels rushed and forced as if the writers had written themselves into a corner and had to come up with something, anything, to wrap up.  In this case it feels as if the supernatural explanation is the cop out. 

 Here is my rewrite. The minister shows us that he is just as much a con man as Cotton.  He uses tricks to make his congregation see what they want to see.  Nell may be pregnant but the demon ain’t the baby daddy.  The minister’s assistant pulls out a fake, bloody looking mess from somewhere and it or something else is thrown into the fire to make it blaze.  The people believe they have witnessed a miracle and very ironically our hero Cotton regains his faith and dies as a result of being hoodwinked by another con man who is just as good at his tricks as Cotton was at his. 

 I think this would make a more intelligent and satisfying conclusion to the drama.  Granted, it still leaves a few plot holes unexplained but I think I could live with that.  However, I won’t hold my breath waiting for Hollywood to call me. 

 

AND DON’T EVEN TALK TO ME ABOUT PART 2.

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